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Announcing SK8R GRLS: E. Brady Robinson @ Hotel Indigo


E. Brady Robinson @ Hotel Indigo

On View: January 26, 2022 - March 18, 2022

No Pix After Dark LIVE Interview: 

Thursday, January 27, 2022 | 5:30 pm


March 8, 2022 | 5 to 7pm

Hotel Indigo | 24 West Franklin Street |Free & Open to the Public

Maryland Art Place in partnership with Hotel Indigo Baltimore is pleased to present SK8R GRLS, a photo series by E. Brady Robinson celebrating the freedom and joy of roller skating. The exhibition is on view at Hotel Indigo Baltimore, located at 24 West Franklin St. from Jan 25th - March 18th. A public reception will take place on March 8th from 5 to 7 pm in celebration of International Women’s Day. 

In Spring of 2021, Robinson took up skating as a way to stay active and reconnect with friends outdoors during COVID-19. During these skate dates, she photographed friends and eventually, a wider network of Baltimore-based female-identifying skaters. This work combines her love of athleticism, fitness, and fashion photography.  These images, made at a moment where it felt like the world was reopening after over a year of closure and isolation during the pandemic, evoke a feeling of release and freedom.

Robinson completed her BFA in photography at MICA and MFA in photography at the Cranbrook Academy of Art.   Her background is in documentary photography and portraiture. The nine archival metal prints on display at the Hotel Indigo depict strong women amidst a backdrop of Baltimore monuments and sites. Locations such as Lake Montebello, Patterson Park, the Druid Hill Tennis Courts, and the Ravens parking lot, signal the public landscape of Baltimore for those that know it well, in contrast to photographs made in the artist’s Maryland Art Place studio which utilize strobe and gel lighting to simulate the vibes of the 80’s roller skating rinks reminiscent of Robinson’s childhood.

The skaters photographed include artists, musicians, and female entrepreneurs; women in the creative scene in Baltimore, including Amy Cavanaugh, Caitlin Gill, Jade Davis, Tina Thompson, Brittany Wight, Les Gray, Hayley Furman, Jessica Lauryn, Sophie Kluckhuhn, and Wildège François.


E. Brady Robinson is a photographer based in Baltimore and a current resident artist at Maryland Art Place. She divides her time between personal art projects and commissioned work. Her documentary Art Desks was published by Daylight Books with an essay by Andy Grundberg and distributed by ARTBOOK D.A.P

Her photographs have been featured in The Washington Post, Channel One Russia TV, The Bund Shanghai, Hyperallergic, BmoreArt, Featureshoot, Slate among others. Robinson leads photography workshops throughout the United States. Select exhibitions include Lishui Photography Festival China, Orlando Museum of Art, Cornell Fine Arts Museum, Katzen Art Center at American University, AIPAD NYC, and Art Miami. Select collections include American University, Orlando Museum of Art and Spanish Cultural Center, Santo Domingo, DR.

Robinson is a  University Instructor of Photography at Goucher College in Baltimore, Maryland, and faculty at ICP in New York. She received her BFA in photography from The Maryland Institute, College of Art, and MFA in photography from Cranbrook Art Academy in Bloomfield Hills, Michigan. She is represented by Addison/Ripley Fine Art. IG: @ebradyrobinson

Announcing Tet[R]Ad: Cultivating Collaborative Creative Communities



Contact: Caitlin Gill 

p) 443.889.0869


tet[R]ad: Cultivating Collaborative Creative Community
Participating Artists, Curators & Collaborators: 
David R. Modler, Samuel H. Peck, and Desmond Beach
On View:
January 18, 2022 - March 12, 2022
Closing Reception: 
Thursday, February 24, 2022 | 6pm to 9pm 
Artist in Residence: 
January 24 - January 28

Maryland Art Place (MAP) is pleased to present: "ted[R]ad: Cultivating Collaborative Creative Community" a community-oriented installation-based exhibition that invites local partners and the public to participate in the realization and completion of the project. This site-responsive exhibition is part of the ongoing international art-making exchange project known as tet[R]ad. The primary tenet of this initiative has been to promote collaborative artmaking, community engagement, and activating audience participation. Originally developed by David R. Modler and Samuel H. Peck over a decade ago, this latest rendition will also include the work of Desmond Beach. Within this installation, the creators and collaborators aspire to cultivate a creative forum with members of Baltimore’s communities through a variety of art actions and social practices. The artists wish to foster restorative justice dialogues and build bridges between stakeholders with visual journal exchanges, collaborative drawings, and assemblages that encourage collaboration in idea exchange and cultural production. The ultimate goal is to engage with the local community to give voice and agency to participants that develop meaningful connections. 

Join MAP in realizing this exhibition by visiting our gallery from January 18 - March 12 and contributing to this project. On-site art-making initiatives include: journals, art-making stations, and larger-than-life figurative drawings (courtesy of Baltimore artist Desmond Beach) which utilize public engagement to aid in their completion. Our gallery hours are Tuesday - Saturday between the hours of 12 pm and 4 pm. Drop by and make your mark! A closing reception will be held Thursday, February 24 from 6 pm to 9 pm.

Interested in partnering with tet[R]ad? Contact: to schedule a field trip or set up a site visit with your school or organization.

Our Mission

Maryland Art Place (MAP) inspires, supports, and encourages artistic expression through innovative programming, exhibitions, and educational opportunities while recognizing the powerful impact art can have on our community. MAP creates a dynamic environment for artists of our time to engage the public by nurturing and promoting new ideas. MAP has served as a critical resource for contemporary art in the Mid-Atlantic since 1981.

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Phone: 410.204.1959